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Category Archives: dulci-bro

New Dulcimer Club Listing

New Dulcimer Club Listing

by Linda Racliff & Steve Eulberg

Dulcimer Club Listing: https://www.dulcimercrossing.com/dc_clubs.html
on DulcimerCrossing.com

As we’ve been watching all the dulcimer groups on Facebook, we have noticed the same question keeps popping up everywhere.  

People who are new to playing the dulcimer, and those who have just moved to a new community, are looking for a dulcimer club to join.  Since EverythingDulcimer.com is no longer active, our handy list for finding clubs has gone away.  

And so we have made it our personal mission to create a complete and up-to-date list of all the dulcimer clubs in existence – not only in the United States, but also worldwide.

As a beginning, we purchased the domain name www.dulcimerclubs.com, and that domain is linked to our Dulcimer Crossing website.  

You will see that we have listed as many clubs as we know about so far, but hesitate to also post the contact details as the information we have may not be current.

To publish accurate contact information, we have included a form on the Dulcimer Clubs page so you can send us the correct information for your group. 

It is best if you have a public “face” to which we can link.  If you could provide the link to your webpage or Facebook page, that would most suitable.  However, if you don’t currently have this set up for your club, we are requesting your permission to upload an updated name, phone number, and email address as the contact information for your club.  

We have already made great progress with the page for Texas (since Linda lives there), so you could click on that state to see our vision for how the finished pages will look.

Any help you can give us with getting this worthwhile project off the ground surely will be appreciated.

 

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Concise Guide to Chord Symbols

Concise Guide to Chord Symbols

by Steve Eulberg

These questions get asked frequently so here is a guide to help you decode the chord symbols that you may often see above the musical notation:

A Chord (by definition a triad) is made up of 3 specific pitches (1-3-5 steps of the scale.)

A Chord Symbol is short hand for which steps are intended.

1. When a Single Capital letter is used, it indicates a Major chord (no alterations in the 1-3-5 plan)

e.g. C = C-E-G

2. If there is a lower case “m” next to the Capital letter, that indicates a minor chord (1-b3-5) with the 3rdstep of the scale lowered a half step.

e.g. Cm = C-Eb-G

Any combination of these notes, grouped as close together as possible (close voicing) or as far apart as possible (dispersed voicing) still produce these chords.

3. If there is a number added to the chord symbol it indicates an additional note added to the triad:

The most common is the dominant 7(b7 step of the scale) which is so dominant we don’t even call it dominant. The next most common is 6.

e.g. C7 = C-E-G-Bb (1-3-5-b7)

e.g. C6 = C-E-G-A (1-3-5-6)

Amajor 7 chord has the regular 7thstep of the scale (also called a “leading tone”) added to the triad:

e.g. CMaj7 or CM7 or C∆7 = C-E-G-B (1-3-5-7)

4. These numbers can also be added to the minor chords as well to indicate minor 7chords:

e.g. Cm7= C-Eb-G-Bb (1-b3-5-b7)

e.g. Cm6= C-Eb-G-A (1-b3-5-6)

e.g. Cm∆7 or CmMaj7= C-Eb-G-B (1-b3-5-7)

5. Sometimes a 2 is added:

e.g. C2 = C-D-E-G (1-2-3-5)

6. Sometimes a 9 is added:

e.g. Cadd9 = C-E-G-D (1-3-5-9)

7. A ninth chord builds on the Dominant 7thChord:

e.g. C9 = C-E-G-Bb-D (1-3-5-b7-9)

8. Suspended Chords means that the 3rd step has been replaced either by a 4 or a 2:

e.g. Csus4 = C-F-G (1-4-5)

e.g. Csus2 = C-D-G (1-2-5)

9. Diminished Chords means that the 5th step of a minor chord has been lowered a half step:

e.g. C° or Cdim= C-Eb-Gb (1-b3-b5)

10. Augmented Chords mean that the 5th step has been raised a half step:

e.g. C+ or Caug= C-E-G# (1-3-#5)

11. Slash Chords indicate a different bass note than expected. This is particularly important for Bass Players (instrument) or players of Bass parts in an ensemble:

e.g. C/D = C Chord with a D in the Bass (non-chord tone)

e.g. C/E = C Chord with an E in the Bass (chord tone, but not the tonic)

e.g. C/G= C Chord with a G in the Bass (chord tone, but not the tonic)

(This is also available on the Free Page at dulcimercrossing.com if you misplace this one.)

Questions? Write me at steve@dulcimercrossing.com

 

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Dulci-bro Performances

Dulci-bro Performances

by Steve Eulberg

I just love this instrument and gathered the videos of these performances for you to enjoy. Let me know what you think in the comments below!

Gig type: Outdoor
Tune: Crawdad Song
Location: Fort Collins, CO

Gig Type: Concert Window
Tune: Swing Low
Location: Owl Mountain Music Studio, San Mateo, CA

Gig Type: Concert
Tune: Fish Ain’t Bitin’
Location: Rialto Theatre, Loveland, CO

Fish Ain’t Bitin’ Dulcibro from Steve Eulberg on Vimeo.

Gig Type: DulcimerCrossing.com Lesson
Tune: Old Yellow Dog Went Trottin’ Thru’ the Meetin’ House
Location: DulcimerCrossing Studio

Gig Type: DulcimerCrossing.com Lesson
Tune: You Name It Blues
Location: DulcimerCrossing Studio

Gig Type: DulcimerCrossing.com Lesson
Tune: Blues Lick
Location: DulcimerCrossing Studio

Subscribe to have access ALL the dulci-bro lessons!

 
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Posted by on November 24, 2018 in dulci-bro, subscriber news

 

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Have a Blessed Thanksgiving

Have a Blessed Thanksgiving

by Linda Ratcliff

Your Thanksgiving dinner will not be complete without sharing these jokes!

What kind of music did the Pilgrims like? Plymouth Rock!
Why did the guys let the sweet potato join the band? So they could have a yam session!
What is the most musical part of the turkey? The drumsticks!

 

Have a Blessed Thanksgiving

This Thanksgiving, I have almost too many blessings to count. Being able to work with all of you who love dulcimers, and having the opportunity to share my thoughts about dulcimering every week, are definitely two of them. We appreciate the friendship and confidence you have shown in us by connecting with Dulcimer Crossing. Steve and I send our heartfelt Thanksgiving wishes across the miles from our houses to yours. May your homes be filled with laughter, happiness, and (of course) lots of dulcimer music.
Happy Thanksgiving
How to Care for Your Instrument in Cold Weather
With the weather turning colder, have you noticed a dramatic change in your dulcimer’s tuning? Well, a stringed instrument is a living thing. Since it is made out of organic materials, the woods, strings, and glues used when it was built interact with the atmosphere around them. And while these materials certainly work together to create beautiful music, they are also responsible for the reason that stringed instruments go out of tune, especially with sudden temperature changes.  Try to keep the temperature constant in the room(s) where you store your instruments.

Likewise, humidity will affect your dulcimers. Wood gains and loses moisture until it’s in sync with the air around it. When the air is humid, a piece of wood will swell as it gains moisture. When the air is dry, the wood will shrink as it loses moisture. This process happens fairly quickly with thin pieces of wood, such as dulcimer soundboards and backs, and if they get too dry, they can crack.

If you have started running the furnace already, the climate in the house may have become very dry. The widely accepted safe range for wooden musical instruments is between about 40% and 60% relative humidity. The only way to know if you’re in that range is to measure it by keeping a hygrometer near your instrument. (I found inexpensive ones on Amazon.) Also, I suggest that you consider purchasing a room and/or case humidifier for the good health of your precious instruments.
Hammered Dulcimer 

As always, if you have any questions, please feel free to ask Steve or myself.
 

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Habits Announcement (Ends 9/30/18)

Habits Announcement (Ends 9/30/18)

“Hi, this is Steve Eulberg with another Habit for Your….

….well, it’s not exactly a Habit, it’s an announcement:

For people who are developing their Habits for a Healthy Music Habitat.

My patrons, on Patreon, have been able to support me so that I can finish this collection in a digitized fashion. Southern Harmony shape-note tunes arranged for Mountain Dulcimer Trios.

InstaSpecialOffer

And what I’m excited about is they were able to do that, and THAT let’s me get to work on the NEXT one, which is shape-note Fuguing tunes, from the Sacred Harp collection.

As a way of just thanking patrons and inviting YOU to be one of those patrons also, I want to give you a chance to get your name into the THANK-YOU PAGE of the digital book!
Of THIS one…AND…the NEXT ONE.

This is a special offer that only lasts until the end of September and I want YOU to have the chance to get in on it.

Patrons are also what help to support the creation of the Habits videos [for Your Healthy Music Habitat] and regular emails. [Habits from the Muse]

So, thank you for listening, for watching, for commenting, for suggesting ideas, and thank-you for your support.”

patreon.com/steveeulberg to sign up!

 

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How do I stay Logged In?

How do I stay Logged In?

by Steve Eulberg

At DulcimerCrossing.com we have several FAQ (Frequently Asked Questions) to provide a self-service way to gain and retain access to all of the lessons we have filmed and edited for you.

One of the most often-asked questions is “How do I move from lesson to lesson without ending up outside of the site?”

The video below explains how to do this for all instruments for both Basic (yellow) and Premium (blue) memberships.

We encourage you to visit the FAQ Page to watch the other videos, too.  (They are all succinct…we value your time as you do.)

If you have other questions that you don’t see answered here, or you have suggestions to offer, or lessons that you would like to see, please contact me or Linda.

 

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Face Your Fears (at home!)

Face Your Fears (at home!)

by Linda Ratcliff

Do the thing you fear to do and keep on doing it.
That is the quickest and surest way ever yet discovered to CONQUER fear.
– Dale Carnegie

Face Your Fears (at home)!

 

It will surely happen eventually if you attend jam sessions.  The lead will go all the way around the circle and finally, to your dismay, it will be your turn.  You try to laugh it off and pass the lead on to the next person in the row, but the others won’t hear of it.  They are insisting.  It is your turn to take the lead and they want you to get started.

Even though you aren’t literally on a stage, you are immediately struck with stage fright. Your mind goes blank and you can’t even think of a tune you know. Your heart is racing, your mouth is dry, your voice is shaky, and you are blushing, trembling, and sweating all at the same time. As a matter of fact, you think you might just pass out.

To overcome your fear of leading a tune at a jam, I recommend that you practice for that moment. At home … alone. And you say, “How on earth is that going to help? There’s no pressure at home, and no consequences for mistakes. If I mess up, I can just start over again.”

Well, what if we created some consequences for errors at home too? Now, I’m not suggesting you be locked in the closet for an hour every time you play a wrong note. But there are things you can do to increase the level of tension at home, and that will get you more accustomed to playing under pressure. This process won’t eliminate mistakes you might make because you don’t know the piece well enough. But it will reduce errors you make simply because you are so nervous.

Here are suggestions that may sound silly, but I promise – they will work.

    • Play a game called “Almost Home.” Make a little game-board on a piece of paper with 4 to 8 boxes.  Name the first box “Start” and the last box “Home.” Then divide your tune into 4 to 8 phrases, matching your game-board.

      When you play through the 1st phrase perfectly, advance a coin one box. Now play phrases 1 and 2 together. If you make a mistake, you move the coin back to square ONE and start over. But if you play those two phrases perfectly, advance the coin one box, and try to play the first 3 phrases in a row … advancing the coin one box each time you succeed, but back to “Start” each time you fail. The closer you get to “Home,” the more the tension will build as you try to play the entire tune correctly and move the coin to the last box at “Home.” 

    • Set your iPad or cell phone up to make a video of yourself playing the tune you would play at a jam.  Pretend this is a video that is going to be on YouTube for 1,000’s to see.
    • Practice with and in front of another dulcimer player or family member.Play tic tac toe with that person, but you can only make a mark on the tic tac toe board if you play a section perfectly. Otherwise you miss your turn, and the opponent can fill in another box.
    • Fake it ’til you make it. Have you ever seen someone’s face when they’ve made a mistake? Even if your ear didn’t catch the wrong note, you know something happened by the horrified face. Practice playing all the way through, even if you make mistakes, but don’t flinch. Make a video of yourself to be sure you’ve succeeded.
  • Practice in the dark. One thing that often throws me off is, when the lighting is different from what I’m used to at home, I can’t see my strings. Get used to playing without having to visually monitor every move. Teach yourself muscle memory.

Well, that’s about all the ideas I can think of. Do you have any suggestions? 

As always, if you have any questions, please feel free to ask Steve or myself.