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Posts about dulcimercrossing lessons, free stuff, learning mountain and hammered dulcimers

“Try to Make ANYthing that happens…

“Try to Make ANYthing that happens…

by Steve Eulberg

…into something of Value.”

–Herbie Hancock

Jazz Pianist Herbie Hancock tells a story of something that happened when he played

a “wrong” chord during Miles Davis’ solo.

This video is from Herbie’s MasterClass.

This is some GOOD advice for more than just jazz music.  It is for ALL music.

And for life.

(Thanks to Lois Hornbostel for sharing this on Facebook!)

 

 

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Learn More from Mistakes

Learn More from Mistakes

by Linda Ratcliff

The only real mistake is the one from which we learn nothing.
– John Powell


I Learn More from My Mistakes Than Successes.
Do You?

 
I love to play through a tune perfectly, time after time, but lets get real – in my world, that simply doesn’t happen.  I fail to play a tune perfectly more often than I succeed. But mistakes can be good. In every mistake, there is the potential for growth. They can help me, if I will just take time to do the work.  For example …

Mistakes help me to think laterally.  There may be a skip and a jump with my hammers that just isn’t working.  Repeating the same mistake over and over is just teaching my muscles to follow the wrong path.  So I usually try to think of another approach for playing the same run or chord.

Mistakes reveal my weak areas.  If we’re honest, we have to admit that we all have weak areas.  I still can’t do a smooth “multiple bounce roll” with my left hammer.  And I’ve tried.  I always have to plan my arrangements so that technique lands on the right hammer.  Wouldn’t it be better if I started developing that skill with my left hammer too?

Successfully correcting a recurring mistake builds confidence.  When I finally begin to play through a section correctly, and without slowing down through the part that was giving me a headache, I feel ready to give myself a new challenge.  I am encouraged by knowing my desired outcome is one measure or one section closer.

Mistakes build character. When we’ve “messed up” enough times, a musician can go one of two ways! We can choose to throw in the towel, pack up our instrument, and lean it in the corner. Or we can learn from the experience, gain confidence, build character, and become more of the musician that we ideally wish to be. 

I choose to keep on keepin’ on, until I can play through successfully.  How about you?

If you have any questions, always feel free to ask Steve or myself.

Happy dulcimering,
Linda

 

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Learn Something New

Learn Something New

by Linda Ratcliff

You will learn something new everyday if you pay attention.
– Ray LeBlond

Learn Something New

 

Sometimes the process of learning a new tune is sabotaged before you even begin. You allow a spirit of doom to hang over your head, because you think the piece is too difficult. You might say …

  • Part B seems complicated, and I’m looking for something easier to learn.
  • This piece is in an odd tuning (like D-G-d), and it’s a nightmare to retune.
  • This tune has hammer-ons and hammer-offs. I never did get those.
  • This song goes too fast. I’d rather learn one that’s nice and slow.
  • The rhythm is really tricky. I’ll just keep practicing songs I already know.

If you recognize any of these thinking patterns, we need to clean up your stinkin’ thinkin’.

Preconceptions can make you or break you when learning a new tune.
What if, instead of thinking the new tune is too hard, tricky, difficult, or a total nightmare … you saw the new tune as easy or a breeze to learn, and you said to yourself, “No problem!”
Learn Something New

Here are some new and TRUE preconceptions to get in your head whenever you begin a new piece.

    • All tunes are riddled with what I call “Easy Bits,” no matter how tough they might appear at first glance. Go find all the easy bits right away. Maybe even highlight them on your tablature, and see how much “yellow” paper there is.
    • Find melody or chord patterns you’ve played before, and say, “Oh, I’ve seen this before!” Call on your experience, and build on what you already know.
  • Play to your strengths. I love to learn slow tunes with long arpeggios, so I find myself choosing old-time hymns or love songs to learn. Identify your strengths and choose music that will highlight that.

Albert Einstein said, “Life is like riding a bicycle. To keep your balance you must keep moving.”

And to keep progressing musically, you must keep moving forward as well.
Be intentional in choosing music with a tricky section.
Don’t just stick with the easy tunes. 
Challenge yourself. 
One day you’ll look back and say, “I can’t believe how far I’ve come in such a short time.” 

As always, if you have any questions, please feel free to ask Steve or myself.

Happy dulcimering,
Linda
 

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Training Your Auto-Pilot

Training Your Auto-Pilot

by Linda Ratcliff

Don’t practice until you get it right!
Practice until your auto-pilot takes over and you can’t get it wrong.
– Linda Ratcliff

Training Your Auto-Pilot

 

There is something we all have in common.

Once we were ALL beginners. And do you remember when you went to a jam session for the very first time? You might have purchased a brand new dulcimer, or maybe you were given a hand-me-down that you cleaned up and polished. Maybe you had a teacher that guided you through some basics and taught you a few tunes. Or maybe you simply watched YouTube or DulcimerCrossing.com videos, and learned a few things.

You thought you were ready for the jam. You sat down, made sure you were in tune, and met some other duci-fanatics. But then, the leader started off with “Boil Dem Cabbage”, and the entire group took off like a bunch of race horses bursting out of the starting gate.

You didn’t know they were going to play THAT fast! Worse yet, the harder you tried to play faster, the more your arms and hands seemed to stiffen up. You gripped your pick, you clenched your teeth, you tightened your arm muscles … and you tried to hammer faster or push your pointer finger up and down that fretboard faster. But you actually began to get farther and farther behind.

AAAARRRRGH! What just happened?

What just happened?

Physically, what happened is, the more you stiffened up, the more mistakes you made and the slower you actually played. The faster you want to play, the more relaxed you need to be. And to be relaxed when you play with or for others, you need to train your “Auto-Pilot.”

    1. First choose a passage to practice where you find yourself slowing down EVERY time.
    1. Play that passage in slow motion, taking the time to press or hammer the string for each note in exactly the right place. Relax as much as you can … both mentally and physically. Think of it as a slow-motion replay (but in advance!) of the beautiful performance you would love to give. When you practice in slow motion like this, you won’t trip over notes, or deliver badly-controlled rhythms.
    1. Auto-Pilot ButtonNow close your eyes or turn off the lights, and see if you can play the correct strings by feel, still in slow motion, using MUSCLE MEMORY. Try that until the passage almost floats from your arms. This is training your auto-pilot, teaching your muscles the way to go without intense focus and physical effort.
  1. Next begin to gradually speed up the passage. Picking up the tempo, just a little at a time, will work better because you aren’t trying to closely supervise every single note.

Your conscious mind may be telling you, “Yeah, this is all fine and good, playing at half speed in the sanctuary of my home.” But your auto-pilot doesn’t work as analytically as your mind does. When you join others (back in the real world), muscle memory will kick in and the notes will flow. Tapping into your auto-pilot, you will be able to deliver every note – smoothly, effortlessly, and accurately.

As always, if you have any questions, please feel free to ask Steve or myself.

Happy dulcimering,
Linda
 
1 Comment

Posted by on June 25, 2018 in lessons, subscriber news

 

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Are You Listening?

Are You Listening?

by Linda Ratcliff

Listening = Learning.

Are You Listening?

 

Listening to music is one of the most important parts of being a musician. 

Listening to dulcimer music can keep us motivated day to day – between jam sessions, festival, or lessons. Without that boost, practicing can become a chore – easily left for another day, and then another, and then another … until we begin to completely lose interest.

Now you don’t have to set aside a special time of day to listen to your dulcimer music, the way you schedule your time to practice. But get a nice collection of dulcimer CDs and put them in different places … in your car, in your family or media room, even at the office. Then, when you have the time to listen, they will be easily accessible. We have several teachers who offer their own CDs.

In addition to listening to others play, it’s important to listen to yourself.

Our own teacher, Nina Zanetti, explains it best. 

“I think that first and foremost, it’s important to listen. By listening carefully, we can identify passages that would sound better if they were played more smoothly, or more cleanly, or more expressively. Once we’ve identified passages that don’t feel quite “right,” then we can go back to them, experiment with different approaches, and find ways to play them to achieve a sound that we like.”

Nina also emphasizes the importance of bringing out the melody, so it can be heard over the drone or chords you may be playing. You won’t know for sure if you are doing this … unless you listen.
Nina Zanetti
In this video, observe how Nina is practicing what she preaches about listening to herself while she is playing this beautiful tune “Bridget Cruise, Third Air”, by Turlough O’Carolan.

 

As always, if you have any questions, please feel free to ask Steve or myself.

Happy dulcimering,
Linda
 
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Posted by on June 18, 2018 in lessons, subscriber news

 

DulcimerCrossing at Summer Festivals

DulcimerCrossing at Summer Festivals

by Steve Eulberg

You can find DulcimerCrossing Faculty teaching at several Dulcimer Festivals this summer!

Erin Mae Lewis (Mountain) will be teaching at Kentucky Music Week (June 24-29) in Bardstown, Kentucky and at Camp Kiya (July 22-26) in Tehachapi, California.

Don Pedi & Steve Eulberg (Mountain) will be teaching at Dulcimer U (July 22-27) at Western Carolina University in Cullowhee, North Carolina.

Don Pedi (Mountain) will be teaching at the Swannanoa Old-Time Week (July 15-21) Swannanoa, North Carolina, and the Homer Ledford Dulcimer Festival (Aug 31-Sept 1) Winchester, Kentucky.

Neal Hellman & Deborah Hamouris (Mountain) will be teaching at Redwood Dulcimer Day (Aug 19) in Scotts Valley (Santa Cruz), California.

Matthew Dickerson (Hammered) will be teaching at Kentucky Music Week (June 24-29) in Bardstown, Kentucky.

Matthew and Bill Robinson (Hammered) will be teaching at the Evart FunFest (July 19-22) in Evart, Michigan.

Larry & Elaine Conger,(Mountain) are the Directors of Dulcimer U (July 22-27) at Western Carolina University in Cullowhee, North Carolina.

Linda Thomas (Hammered) will be teaching at the Ozark Heritage Festival (July 17-21) Mountain View, Arkansas.

Robert Force (Mountain)  is hosting the 44th Kindred Gathering (Aug 3-5) in Port Ludlow, Washington.

Aubrey Atwater (Mountain) will be teaching at the Dutchland Dulcimer Gathering (July 13-14) in Lancaster, Pennsylvania.

Vi Wickam (Fiddle) will be teaching workshops at the National Old-Time Fiddler’s Contest & Festival (June 18-22) in Weiser, Idaho and the El Sistema Fiddle Camp (July 23-27) in Denver, Colorado.

Steve Eulberg (Hammered) will be teaching at Dulcimer U Hammered Dulcimer Weekend (July 27-30) at Western Carolina University, Cullowhee, North Carolina.

 

 

 

 

 

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New Mountain Dulcimer Instructor

New Mountain Dulcimer Instructor

by Steve Eulberg

We are pleased to welcome Berkeley Dulcimer Gathering Director and Freight and Salvage Dulcimer Teacher, Deborah (DJ) Hamouris, to our roster of instructors at DulcimerCrossing.

Deborah introduces herself here:

Deborah joins our faculty of 15 respected and gifted instructors of mountain and hammered dulcimer and fiddle.

We are filming and editing his lessons and they will be available for all subscribers on dulcimercrossing.com.

Subscribe and you’ll have unlimited access to all of her lessons, and those of all of our instructors!

 

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