Across many Christian worship traditions, tunes from Welsh composers are favorites. The Ash Grove comes to mind, but from my survey, when researching and writing my book Dulcimer-Friendly Worship, Vol 1: the season of Advent, the tune that won the popularity contest of being the setting for so many hymns in so many ecumenical traditions is HYRFRYDOL by Rowland Prichard.
We are excited that our instructor, Karen Mueller, has provided us with both a strummed AND a fingerpicked lesson for our students. Watch as she introduces this tune and the lesson series:
This tune also appears on Steve’s Hark, the Glad Sound! recording which you can listen to here. (The 2nd tune in the Medley on track #12)
Members of DulcimerCrossing.com get access to ALL of the lessons ALL of the time!
You may be one of our YouTube channel subscribers and already know about this. But Steve has been uploading on YouTube the first video for every lesson we offer at Dulcimer Crossing. If you haven’t already subscribed to our YouTube channel … you should. That way you’ll receive a notice every time we have a new lesson to offer. (You’ll also receive a notice when I upload animations … and I only upload animations when I’m preparing a new lesson.)
Here are links to some of the first lessons Steve’s uploaded so far.
The key to success is so simple … just practice and then practice some more.
We have another new lesson ready for you this week – this time for our hammered dulcimer players. The tune is known by the name of the person who played it, Sarah Armstrong.
Sarah Gray Armstrong (3/18/1883 – 8/12/1957) was a well-known fiddle player in Pennsylvania. She began playing the fiddle when she was five, and learned most of her tunes from her uncle and father who were also accomplished musicians.
Here is the last video in this lesson series, with Steve Eulberg playing it up to speed with ornamentations.
If you are not willing to learn, no one can help you. If you are determined to learn, no one can stop you.
How Many Dulcimers is TOO Many Dulcimers? I recently watched a video in which Vince Gill talked about his collection of antique Martin guitars. He has still quite an impressive array of guitars, although he lost 50 in the Nashville flood of 2010. But, of all the rare and valuable guitars in his collection, he said the guitar he treasures the most is his father’s guitar (shown in the photo). >
Watching the video reminded me of my own obsession with instruments. It’s an addiction … I’m always wanting one more. It’s difficult to look at the posts put up on the dulcimer groups’ FB pages that show photos of another dulcimer up for sale, or one that someone just finished building. They just fan that flame of desire and I find myself mentally checking my finances and the space left in my home.
But how many dulcimers is too many dulcimers? I already own a 1995 Master Works hammered dulcimer, a beautiful mountain dulcimer and picking stick – both built byJerry Wright, a Yamaha guitar, two harmonicas, and a ukulele. What more could a girl want?
Well, I think I really need a resonator dulcimer (dulci-bro) and a baritone mountain dulcimer. We offer lessons at DulcimerCrossing for both of these, so I could learn to play them! I would like to have a backpack hammered dulcimer that would be easier to carry around. And I’ve been without a keyboard for 10 years now, ever since we started living full-time in an RV. We’re back in a home finally, so there’s space for one now.
Here’s what I think.
If I’m content to just mess around with a variety of instruments for fun, the only limit I might have would be my finances. But I need to be careful that I don’t personify that old phrase “Jack of all trades, master of none.” Now you won’t ever hear me say, “I’ve mastered the hammered dulcimer.” I can always see where I need to work more on certain techniques. But the spirit behind the words holds true. If I have too many things on my plate, i.e. too many instruments hanging on my wall, then I might not actually get anywhere with any of them.
I’d love to hear from you! What do you think? How many dulcimers or instruments do you own? Do you actually play them, or are they just a good conversation starter when folks come over to visit?
We see the trophies, not the sweat. We see the diplomas, not the years of study and homework. We see outstanding performances, not the hours and hours of practice.
by Linda Ratcliff
The Iceberg Illusion I came across this illustration and it really resonated in my heart. There is this glamour around success that seems to appear when you have “made it.” Although I work behind the scenes – writing newsletters, uploading lessons, and answering student inquiries, the rest of our Dulcimer Crossing teachers are “out there” in the public eye – teaching workshops, leading jams at festivals, or performing in concerts. We all look up to them, admire their skill, and dream of the day we can play as well as they do.
Our teachers performing at the Colorado Dulcimer Festival The iceberg illusion would have you believe our teachers never went through failure, never struggled, never felt discouraged. They seem to play with ease, flying through sections of tunes we STILL haven’t mastered at top speed. And they appear to be totally relaxed, not at all nervous, actually very comfortable when playing in front of a crowd.
How do they do that???
The truth is, their success has probably only come after challenges, days of discouragement, and even failures. They have learned the hard way that there are no short cuts, and there is no such thing as an overnight success. Our teachers have spent years developing their skills, practicing for hours, staying up nights developing material for workshops or private lessons. They have put in a lot of time and hard work, with dedication and self-discipline. This is the glue that holds it all together.
If you’re struggling, feeling discouraged, perhaps thinking you’re never going to succeed in playing through a tune without mistakes, don’t give up. Think of the iceberg! And keep building your repertoire – one tune at a time.