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Playing Blues on Dulcimer

Playing Blues on Dulcimer

Someone once told me that I couldn’t play blues on the dulcimer.  “The dulcimer is too pretty for the blues.”  I disagree.

If you can have the blues, you can play the blues on whatever you want!

Look at these introductions to playing blues on hammered and mountain dulcimer and dulci-bro.

Mountain Dulcimer

Hammered Dulcimer


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Chromatic Mountain Dulcimer–The Dark Side?

Chromatic Mountain Dulcimer–The Dark Side?

The debate rages between:

“traditionalists” who argue for a standard diatonic dulcimer (“I don’t want no extra frets bygummit!”);

“neo-traditionalists” who argue for a modified diatonic dulcimer with a 6+ fret (“well it is pretty standard these days”);

“practical-neo-traditionalists” who are supporters of multi-modified diatonic dulcimer with 6+ AND 1+ frets; (“but I NEED that extra fret to play C and F chords!”)

“people on the DARK side” who are supporters of entirely chromatic mountain dulcimers. (“hee, hee, hee…I can play EVERYTHING EVERYWHERE!”)

Names are called, epithets are thrown, opinions are solidified and offered loquaciously…

OK, the final description may be exaggerated in the dulcimer world, BUT, we are human and do have our opinions, dearly treasured, and not-infrequently shared.

Some will say:  “If you want to play a chromatic instrument, get a guitar!”  Others answer, “I already play dulcimer and piano, I don’t want to learn a guitar, too.”

National Champion, Erin Rogers, is one of these latter people.  (Disclosure:  I like to tease her about “going over to the dark side” with her chromatic dulcimer.  She retorts:  “Well, I don’t play a solid body electric, like you do!”—It’s all good.)

We at are fortunate to have her share her experience of learning to play the Chromatic Mountain Dulcimer, comparing it to her extensive experience and facility with playing the diatonic mountain dulcimer.

Erin has begun a Chromatic Mountain Dulcimer series that we are now offering on our website.  She begins by describing her experience in learning, then reveals the benefits and limitations she’s experience, and moves forward by playing both familiar and unfamiliar tunes in familiar and unfamiliar keys—all without retuning!


Posted by on August 15, 2013 in lessons, mountain dulcimer, music theory


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