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The Perfect Wrong Note

The Perfect Wrong Note

by Linda Ratcliff

If you ever strum the wrong note, or strike the wrong string with your
hammers …  just tell them you were playing the jazz version.
– Linda Ratcliff


The Perfect Wrong Note

My 16-year-old grandson plays the saxophone in his band at school, and he was telling me about trying out last week for the school jazz band. All the kids waiting for their turn were troubled by one note in the arrangement – an Eb. They thought if they could just play that note 1/2 step higher, it would sound perfect. But it was the wrong note.  

I could relate. I’ve been working on a new arrangement for “God Bless the USA” on my hammered dulcimer, to share around the 4th of July. I usually work out my arrangements by ear, rather than reading printed material, and there have been times that I had to test several different chords in a measure before I found the right one.

But now and then, the wrong chord actually sounds pretty good. If possible, I’ll include it in the arrangement, and play that chord as an arpeggio (with a series of “wrong notes”) before progressing to the chord with the notes you expected to hear. It makes a beautiful variation, and the audience enjoys hearing a familiar tune with a new slant.

If you’re playing with a group, or with others at a jam session, you’ll need to stick with the correct notes. But when you’re playing by yourself, be adventuresome. Learn to trust your musical side, and test alternate notes, chords, and rhythms for the old familiar tunes. Sometimes the wrong note can be just perfect.


If you have any questions, always feel free to ask Steve or myself.

Happy dulcimering,
Linda

 

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